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SALT LAKE CITY, Oct. 20, 2009 – The University of Utah will hold its fifth Utah Symposium in Science and Literature during Nov. 5-7. It will feature a poet, a composer and a mathematician discussing how their thinking is influenced by the different media they use to express their imaginations.
The symposium – titled "Mathematics, Language and Imagination" – will be keynoted by speakers Alice Fulton, a poet and English professor at Cornell University; Fred Lerdahl, a musical composition professor at Columbia University; and Barry Mazur, a mathematics professor at Harvard University.
"The form and language your thinking takes – whether poetic, musical or mathematical – necessarily helps to shape the thinking you do," says Katharine Coles, a symposium organizer and University of Utah professor of English.
"So the question is: what are the real, consequential differences?" says Coles, who also is Utah's state poet laureate. "How is a musical imagination different from a mathematical one or a poetic one? And what are the consequences of those differences both for the person doing the imagining and for the person who encounters the product of that imagining?"
The symposium is free and open to the public, but space is limited – especially for the keynote lectures and for the Friday, Nov. 6 live broadcast of a discussion by all three keynote speakers. So people interested in attending are asked to register at www.scienceandliterature.org where more information and updates also will be available.
The symposium – which is designed to foster communication across different academic disciplines – is supported by several University of Utah entities, including the Office of the Vice President for Research, College of Humanities, Department of English, Scientific Computing and Imaging Institute, Utah Museum of Natural History, KUER-FM 90.1 and the School of Music. Other supporters include the Utah Humanities Council, King's English Bookshop, Utah Arts Council and Salt Lake County Zoo, Arts and Parks Program. The symposium schedule follows:
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Thursday, Nov. 5
Fulton's first fiction collection, "The Nightingales of Troy: Connected Stories," was published in 2008. Her poetry books include "Cascade Experiment: Selected Poems," "Felt" (which won the 2002 Rebekah Johnson Bobbitt National Prize for Poetry), "Sensual Math," "Powers of Congress," "Palladium" and "Dance Script with Electric Ballerina." She has received several fellowships, including the so-called "genius award" from the John D. and Catherine T. MacArthur Foundation. Her work has been included in five editions of "The Best American Poetry" series and in publications such as The New Yorker, The Paris Review, The New Republic and The Atlantic Monthly.
Friday, Nov. 6
This panel will explore some of the challenges of interacting with musical language. Are songs really just words set to music? Or are they music set to words? Are mathematicians uniquely gifted with insight into music because they can think without words?
This panel will discuss how communication takes place through sound, but with the line between meaningful sound and noise often seemingly blurred. What is actually communicated by sound? Do birds really "speak" to each other? Does noise have a place in music or literature?
This panel will examine how physical gestures contribute to communication. How do we think and communicate with our hands and bodies? Is the great teacher or artist really a dancer?
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This panel will consider how codes function within language. Are poetry, mathematics and genetics really codes, or merely ways to communicate to which some people are not privy? Could we actually manage to communicate with aliens?
Mazur, a member of the National Academy of Sciences, has received several honors, including the Veblen Prize in geometry and the Cole Prize in number theory from the American Mathematical Society. He was also awarded the 2000 Leroy P. Steele Prize for Seminal Contribution to Research. He is the author of "Imagining Numbers (particularly the square root of minus fifteen)."
Saturday, Nov. 7
Lerdahl has won many honors, ranging from the Koussevitzky Composition Prize (1966) to the Composer Award from the American Academy of Arts and Letters (1971 and 1988) and fellowships from National Endowment for the Humanities (1991) and the Center for Advanced Study. He has written two books and numerous articles about computer-assisted composition, music cognition and other topics.
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Salt Lake City, Utah 84112-9017
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