Figure 1 (IMAGE)

Universitat Pompeu Fabra - Barcelona

Figure 1

Caption

Schematic representation of participant listening to the experimental conditions. In the control condition (a), the isochronous beat was always presented at 0° (in front of the participant). In the spatial conditions, such as the Spatial 60° (b), the isochronous beat alternated at symmetrical angular positions: the first sound was presented at one side and the two following sounds at the contralateral side, thus following a ternary meter pattern defined over spatial cues.

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