Until now, only humans have demonstrated the ability to use such a hierarchical structure of communication. The research, published online in the March 2006 issue of the Journal of the Acoustical Society of America, offers a new approach to studying animal communication, although the authors do not claim that humpback whale songs meet the linguistic rigor necessary for a true language.
"Humpback songs are not like human language, but elements of language are seen in their songs," said Ryuji Suzuki, a Howard Hughes Medical Institute (HHMI) predoctoral fellow in neuroscience at Massachusetts Institute of Technology and first author of the paper.
With limited sight and sense of smell in water, marine mammals are more dependent on sound--which travels four times faster in water than air--to communicate. For six months each year, all male humpback whales in a population sing the same song during mating season. Thought to attract females, the song evolves over time.
Suzuki and co-authors John Buck and Peter Tyack applied the tools of information theory--a mathematical study of data encoding and transmission--to analyze the complex patterns of moans, cries, and chirps in the whales' songs for clues to the information being conveyed. Buck is an electrical engineer who specializes in signal processing and underwater acoustics at the University of Massachusetts Dartmouth, and Tyack is a biologist at Woods Hole Oceanographic Institution in Massachusetts.
Suzuki, who began the project as an electrical engineering undergraduate at the University of Massachusetts, Dartmouth, worked with Buck and Tyack to develop a computer program to break down the elements of the whale's song and assign an abstract symbol to each of those elements. Suzuki wanted to see if he could design a computer program that enabled scientists to classify the structure of the whales' songs.
He used the program to analyze structural characteristics of the humpback songs recorded in Hawaii. To measure a song's complexity, Suzuki analyzed the average amount of information conveyed per symbol. He then asked human observers who had no previous knowledge of the structure of the whale songs to classify them in terms of complexity, redundancy, and predictability. The computer-generated model and the human observers agreed that the songs are hierarchical, confirming a theory first proposed by biologists Roger Payne and Scott McVay in 1971.
Suzuki said that information theory also enabled the researchers to determine how much information can be conveyed in a whale song. Despite the "human-like" use of hierarchical syntax to communicate, Suzuki and his colleagues found that whale songs convey less than one bit of information per second. By comparison, humans speaking English generate 10 bits of information for each word spoken. "Although whale song is nothing like human language, I wouldn't be surprised if some marine mammals have the ability to communicate in a complex way," said Suzuki. "Given that the underwater environment is very different from our world, it is not surprising that they would communicate in rather a different way from land mammals."
The structure of the humpback whale song is repetitive and rigid. The whales repeat unique phrases made up of short and long segments to craft a song. There are multiple layers, or scales, of repetition, denoted as periodicities. One scale is made up of six units, while a longer one consists of 180-400 units. The combined periodicities give the song its hierarchical structure.
Suzuki compared his new technique for animal communication research with more traditional models, such as the first order Markov model that is used to analyze bird songs, which are often shorter and simpler in structure than humpback whale songs. The Markov model proved inadequate for the whale song's complex structure.
Information theory, in contrast, proved perfect for analyzing humpback whale songs because it provided a quantitative analysis of the complexity and structure of the songs. "Information theory was the right choice because it allows one to study the structure of humpback songs without knowing what they mean," said Suzuki.
"I hope that knowing the hierarchical structure in humpback songs will inform research in other fields, such as evolutionary biology," said Suzuki. The technique he developed is already being used by a postdoctoral fellow in Buck's laboratory to analyze recently recorded songs of humpback whales from Australia.
The Journal of the Acoustical Society of America