News Release

Supercomputer simulations explore how an air-reed instrument generates air flow and sound

Peer-Reviewed Publication

Toyohashi University of Technology (TUT)

Pressure Fluctuation Contours (2 of 3)

video: This video shows contours of pressure fluctuation in a recorder with opened tone holes and with closed tone holes. view more 

Credit: COPYRIGHT (C) 2014 TOYOHASHI UNIVERSITY OF TECHNOLOGY. ALL RIGHTS RESERVED.

Hiroshi Yokoyama and his colleagues at Department of Mechanical Engineering, Toyohashi University of Technology in collaboration with researchers at YAMAHA Corporation have succeeded in directly predicting sound radiating from a recorder for the first time all over the world (Figure 1, Movie 1). The calculations for this study took two weeks using about 100 nodes of supercomputers (FX10 in the Tokyo University or Kyushu University). It was a huge computational cost.

In air-reed instruments such as a recorder, the flow velocity fluctuates by the blowing of performer. These fluctuations generate sound (pressure and density fluctuations). It had been known that a small change of the shape or material of instruments critically affects ease of playing or how a performer feels during performance. However, the detailed relationship of the shape or material and the sound had not been clarified, and the reason why they affect the tones was unknown.

However, by these predicted results, we understand the way the sound is radiating from flows in the recorder. Moreover, the way the sound is propagated to the far field (performer's ears or audience) around the recorder was also clarified (Movie 2). These results contribute to the revolution of the design of future musical instruments.

Everyone knows the instrument radiates sound when we blow it. However, the complex flow and sound phenomena are hidden. In your childhood, did you find it difficult to resonate the lowest "do" in music classes? In the future, we can clarify the effects of the shape of instruments on tones clearly using computers. I believe that it becomes possible to propose a new design of musical instrument easy-to-play or new musical instruments.

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Reference:

Authors: Hiroshi Yokoyama, Masaki Kobayashi, Hirofumi Onitsuka, Akira Miki, and Akiyoshi Iida.
Title of the original paper: Direct numerical simulation of flow and acoustic fields around an air-reed instrument with tone holes
Conference name: 43rd International Congress on Noise Control Engineering (inter.noise 2014) November 16-19, 2014
Affiliations: Department of Mechanical Engineering, Toyohashi University of Technology, 1-1 Hibarigaoka, Tempaku, Toyohashi, Aichi 441-8580, Japan.
Website: http://aero.me.tut.ac.jp/profile1.html

Further information
Toyohashi University of Technology
1-1 Hibarigaoka, Tempaku
Toyohashi, Aichi Prefecture, 441-8580, JAPAN
Inquiries: Committee for Public Relations
E-mail: press@office.tut.ac.jp

About Toyohashi University of Technology:

Founded in 1976 as a National University of Japan, Toyohashi University of Technology is a vibrant modern institute with research activities reflecting the modern era of advanced electronics, engineering, and life sciences.

Website: http://www.tut.ac.jp/english/


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